Mirror Stage, 2012. Exhibition View, The Nunnery, London, UK

“The Panopticon is a machine for dissociating the see/being seen dyad: in the peripheric ring, one is totally seen, without ever seeing; in the central tower, one sees everything without ever being seen." Michel Foucault

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Mirror Stage, 2012. Exhibition View, The Nunnery, London, UK

Mirror Stage, 2012. Exhibition View, The Nunnery, London, UK

Originally an18th century concept proposed by philosopher and theorist Jeremy Bentham, a Panopticon allows one conducting surveillance over all inmates of an institution to create a sense of instability and uncertainty in those being discreetly observed. Initially, this was utilized as a mechanism of control but in recent times the paradigm has shifted, since control mechanisms have also become a tool for evoking a sense of safety and security. 

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Mirror Stage, 2012. Exhibition View, The Nunnery, London, UK

Mirror Stage, 2012. Exhibition View, The Nunnery, London, UK

Mirror Stage’, a series of performances on London buses, references Jaques Lacan‘s theory of the „Gaze“, in a work that exaggerates the psychological effect of the loss of autonomy, through the realization that to be objectively visible causes one to act differently.

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Mirror Stage, 2012. Exhibition View, The Nunnery, London, UK

Mirror Stage, 2012. Exhibition View, The Nunnery, London, UK

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Mirror Stage, 2012. Exhibition View, The Nunnery, London, UK

Mirror Stage, 2012. Exhibition View, The Nunnery, London, UK

Performance in Bus 243 from Holborn to Wood Green

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Mirror Stage, 2012. Exhibition View, The Nunnery, London, UK

Mirror Stage, 2012. Exhibition View, The Nunnery, London, UK

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Mirror Stage, 2012. Exhibition View, The Nunnery, London, UK

Mirror Stage, 2012. Exhibition View, The Nunnery, London, UK

Exhibition View Panopticon, The Nunnery, London

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Mirror Stage, 2012. Exhibition View, The Nunnery, London, UK