Fragments, 2017

The artist works with the fact that Lebzelter used photography to observe characterizing facial features that were at the same time supposedly vital for understanding human characteristics, with the fact that it served as a lens for discerning its defining particularities. She exaggerates its own implicit principle in order to present it as a sort of ‘cutting’ tool… …by outlining and converting the outlined areas of Lebzelter’s photographs, creating ‘heatmaps’ as with Portraits/Heatmaps, and by gathering these same outlined areas or features, gathering them together and presenting them isolated on a white background –– making the lines of the marked features even more apparent next to the white abyss, as with Fragments. – excerpted from "CUT" by Domen Ograjenšek

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Fragments, 2017

Fragments, 2017

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Fragments, 2017